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Archive for the ‘Classic Music’ Category

Let’s say you’re a budding music star. Maybe you play the piano. Like most normal, everyday people, you probably go online. Sure, it’s wonderful for sending messages to friends, watching animals do stupid crap on YouTube, and downloading anything that’s out there. But what about using the internet in a better fashion? Doctors get medical updates. Researchers use the global span of hundreds of search engines. Scientists harness the power of cloud computing. So why should you, a budding musical star, not get access to the same online material that these other jerks get? The Rough State of Piano Music Because digital piano music is a little corner of the internet, and only useful to a specific number of people, its online presence has stuttered. It’s way behind the times.

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Just as we’re downloading music to our iPods, why should digital piano music be so far behind? Shouldn’t there at least be a dependable site online for proper sheet transcriptions we can trust? Talk About Arbitrary Standards… If you thought music copyrighting was out-of-date, you should see some of the pages pushing digital piano music. Some require you to have a 100% working printer, because you will only have one tiny moment to get a hard copy of what you’ve bought. If something messes up, tough luck. Other sites selling classical music have wildly altering standards when it comes to their files. Sometimes you’ll get a PDF, other occasions a set of PNGs that don’t print cleanly, and on other days you’ll be dumped with a proprietary format that’s generally useless. Users and Reviews Are Fundamental The only true way to guarantee the sheet music you’re buying is honest is through the claims of other users. If other pianists are using the site’s transcriptions, and claiming that they are quality, you can buy with confidence. One of the leading digital sheet music sellers, PianoStreet.com, has also established a burgeoning group of forums around its digital sheet music sales. In reality, the site was born out of a pre-existing forum, named pianoforum.net, so the sale of piano transcriptions was something that came naturally, instead of a straight-up business from the moment of conception. Audio Samples Are Crucial, Too Why download and pay for digital sheet music if you can’t figure out what they should be like when played? Yeah, we admit, your piano teacher might be able to play it for you, but if you’re in this alone, you’ll need to track down a legitimate recording to hear how it should sound. A proper sheet music site should provide loads of mp3 recordings of everything they sell, adding reams of value to the actual transcriptions. Online Forums/Businesses like PianoStreet.com have loads of their most typical easy/intermediate transcriptions online as mp3s, the exact ones that any fresh musician is happy to learn. Pay Once, Download Forever Although content producers won’t budge much, many have come to the realization that the way of the future will probably go the way of subscription models, where you will pay a flat rate and get everything you want. Sites like PianoStreet.com have used this for their content offerings, providing monthly memberships that permit you unlimited access to properly done sheet music. The Good Guys And thus it’s not all hopeless. A little group of sites, led by PianoStreet.com’s contributions, are altering the way digital piano music is being purchased. Ignore the rest and follow the best!

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Like Indian folk art, Indian folk music also traces its roots way back to the dusty remote and pristine villages of India. They represent the folklore of India and the variations they carry are dependent on the place of origin. The beauty of Indian folk music is that there is no standard procedure or strict format; it has evolved with time without a formal period of apprenticeship where the student is able to devote their entire life to learning the music. The music is an indispensable component of functions such as weddings, engagements, and births. There is a plethora of songs for such occasions. There are also many songs associated with planting and harvesting. In these activities the villagers routinely sing of their hopes, fears and aspirations. Even amongst folk music, there are different subdivisions based on the state of origin, the popular folk music forms being – Bhangra, Dandia, Lavani, Garba, Bauls etc. Most of these folk music forms are an extension of dance forms. Folk music has a pattern which closely follows classical music and the instruments like Dhol, Dholki, Ghatams, and Bansuri do have a similarity to the ones used in classical music. Folk music has been the ‘music for sons of the soil’, very connected to the heartland of India. It is a music which transcends boundaries is usually sung by common men and women in day today situations. There are day to day situations like singing a lullaby for a baby, at a day’s work. There are also harvest songs, betrothal songs, chorus songs etc. Bhangra, Dandiya and Lavani are more dance oriented forms of music. Bauls originated in Bengal in the 18th century and follows a light music pattern. Cutback to the present times, where you feel the relevance and presence of folk music has faded; we still see the roots in special cultural occasions and festivals, the best example being Holi. Folk music is still used quite rampantly in Holi, where it blends seamlessly with the banter and mirth involved. In fact many contemporary singers do still practice folk music, the popular ones being Manoj Tiwari, Shyam Lal, Sucharita Gupta etc… Same as in occasions like ‘godh bharai’ which means pregnancy, in the 6th or 7th month; festivities use a lot of folk music. Of course, the languages and nuances change from place to place in India. This is mostly to take the blessings of the Lord and safe ‘delivery’ of the child. ‘Music Binds all’ the short movie made by mLab in Gurgaon, India used folk art and animation with folk music as a base. The movie elucidates the solution by showing a social gathering of people , the music created by the people attracts the nature and environment metaphorically explain the connection between human and nature is through musical vibration, it’s the beat of music has power to reinforce the relation. This movie grabbed the spotlight because of the unique way folk music & art have been created using flash animation. This is a good pointer to the fact that Indian folk music in essence is so rich that it can still strike a chord with the contemporary audience.Thus Indian folk music can also be termed evergreen as it has not lost its charm so far and is still mint fresh in the minds of people. It is also versatile enough to be revisited and recreated to suit the tastes of the younger audiences.

The sound of Romani music is the most journeyed sound in the world having covered thousands of miles in an expedition that has lasted many centuries and has taken on the colors of all the places it has settled along the way. Romani music is probably the most enduring influence of Roma culture on other non-Roma societies. Flamenco of Andalusia owes most of its exuberance and ardor to Roma tradition. European Jazz owes much of its innovation to Roma jazz guitarist, Django Reinhardt. Classic music demonstrates Brahms’ Hungarian Dance No. 5, or Liszt’s Hungarian Dances and Rhapsodies. The Gypsy Kings have created a bandwagon effect of dance hits topping the charts for years and selling millions of albums worldwide. Finally, Roma bands are ardently hired from prominent musicians like Serbians Goran Bregovi? and Boban Markovi?, Romanian Fanfare Ciocârlia and many others.

The Romani music is a distinct field with a greatly varied content. Today, Roma musicians perform anything from folk music to Balkan fusion, Latin, jazz, alternative, classical and romantic music. Whole families of Roma musicians have been trained in playing music and initiated the training of their children to preserve their long-standing traditions. Instrumented in various ways depending on the region it originates from, the Romani music can trace its roots in Hungary, Spain, Turkey or other regions of the Eastern Europe and the Balkans.

The roots of Hungarian music encompass elements of Romani music that was instilled in the music themes of Béla Bartók and Franz Liszt. In modern times, Hungarian Romani music is often represented by the czardas and the verbunkos which are collectively referred to as ‘cigányzene’. Particularly, the verbunkos are performed at conscription ceremonies to influence young men to join the army. However, Hungarian Romani music bears unique folk elements which are for the most part without instrumentation. Roma musicians use sticks and make rhythmic groans to reproduce the sound of instruments with a technique called oral-bassing. Modern Romani musicians like Romani Rota and Ando Drom have added guitars to the Hungarian Romani music.

Spanish Romani music is broadly recognized in the form of flamenco. Although flamenco was born in Andalusia, it has been significantly influenced by the Kathak dance, the traditional Indian dance and Indian singing style that the Roma immigrants brought with them in the 15th century. Flamenco is a multidimensional art form that encompasses music, rhythm, poetry, dance and vibrant instrumentation in a visual mastery. There are various types of different palos (musical forms) in flamenco and each has different atmosphere, rhythm, theme and style. Some are danced, some are played on guitar and sang and some are only sang, which is, in effect, the soul of flamenco. However, the Andalusian Roma, known as the Gitanos, have long preserved the legacy of flamenco.

Romani music in Turkey echoes the traditional Turkish music with the clarinet, violin, kanun and darbuka and the lifestyle with gathering at the ‘taverna’, eating food and having alcohol, while enjoying the spectacle of a belly-dancer. Typically, the music is accompanied by vocal improvisation in free tempo and an instrumental improvisation (ritimli taksim) that enables the belly-dancing figures. The best known representative of the Turkish Roma musicians is the clarinetist Mustafa Kandirali.

Bulgarian Romani music resembles a lot to the traditional chalga music, while in Romania, the L?utari are the traditional Romani musicians that play at weddings, funerals and other social events. Some great examples of great Roma musicians in Bulgaria are the clarinetist Ivo Papasov, who received the BBC prize for the best clarinetist in 2006 and the saxophonist Yuri Yunakov, who is best known as the ‘wedding master’. The younger generation of Bulgarian Roma musicians is represented by kaval player and composer Theodosii Spasov and his band ‘Wild Horses’ that play an innovative mix of Balkan folk and jazz.

The Romani music is much more diverse than one can hear in the borrowed Romanticism of Franz Liszt, although it wasn’t until the revolutionary film of Emir Kusturica ‘The Time of the Gypsies’ in 1988 and the wonderful music of Goran Bregovi? that the West truly became aware of it. Despite its characteristically soulful and melodramatic vocals that are anchored by prominent glissandi between the notes, the Romani music cannot be easily defined because the Roma have lived and played music in totally diverse localities. The Romani music tends to absorb characteristics of diverse environments and sounds and embellish them with turns, runs, twists and trills producing new sounds, which are an eclectic and explosive blend of Balkan sounds, jazz and traditional Roma folk.

The term “classic” is largely subjective. Not only when applied to cars, either. There are wide variations in what people consider classics. For example, the film The Shawshank Redemption was fairly widely ignored when it initially came out, but today it is considered one of the finest pieces of film making to come out of Hollywood. Although the term “classical music” now applies to a certain style of music, along the lines of Tchaikovsky and Beethoven in the past and the likes of Michael Nyman and Philip Glass in this era, there are many who would argue for the albums of the Beatles and some of their contemporaries, and indeed even a band as current as Radiohead, being eligible for the pantheon of “classic albums”. 

When it comes to cars, an equal debate exists over what makes a classic. You could ask several different people, even automobile enthusiasts, what they consider to make a classic car, and get wildly varying answers. It may apply to a car which was the pre-eminent example of engineering for its era. It could equally apply to a car that was seen as an important innovation in its time, making it possible for the automotive industry to move forward and create the archetypes of modern automobiles. Still others might say that a classic car was any example of engineering that stood out as being of literary or historical renown – driven by a famous figure in the arts or by a statesman of some repute. And again there may be a case for a car that stood out as something different in an era where the fashion was for conformity. 

By those standards, a classic automobile does not need to be one that was created half a century ago or more. All it needs to be is something that has left a mark upon the field of automotive engineering. Some dictionaries describe the term as applying to a car that is distinguished by elegance, engineering brilliance and high class of workmanship, and stipulates the period between 1925 and 1948 as being the era that qualifies for being a classic. However, when it comes to insuring a car under a “classic car” policy, in some cases it need only be 20 years old. As you may be noticing, the definition of a “classic car” is widely variable. 

Depending on your definition of “classic” – that is, the definition that you feel most accurately covers the range into which classic cars fall – you might consider the General Lee from popular TV series The Dukes of Hazard which itself was a 1969 Dodge Charger to be a classic car. Certainly, anyone in possession of a VW Beetle as made famous by the Herbie movies would feel pretty confident of the classic status of their car. On balance, there are so many competing definitions for the term that anyone who feels they own a classic automobile could at least attempt to make a case for their defence. It is a title more of consensus than of absolutism.