Archive for October, 2009
Jazz Tickets – Exciting Line Up of Players so Book Your Online Tickets Now!
The Utah Jazz tickets will ensure a very exciting time at the games, as the Jazz have an astonishing current record of 14-2 at home and 10-8 on the roads. They rank first in the Midwest Division of the Western Conference of the NBA. This team was originally based in New Orleans, Louisiana and is named after the city’s musical heritage. Currently they play in the Delta center in Salt Lake City, Utah. They wear yellow, purple and white jerseys. Recently, they have unveiled a blue alternate jersey with “Jazz” and “Utah” written on both sides of their shorts.
A Brief History Of The Team
During the 1980s and the 1990s, the team was among the strongest teams in the league. In the 1996-97 seasons, the Jazz posted a win-loss record of 64-18 and reached the NBA finals for the first time. The team surprised everyone in 2006-07season by winning the division title and making it to the play-offs. Jason Hart and Ronnie Price have been added from Sacramento Kings and head coach Jerry Sloan plans to continue the good run in this season too.
Current Line-up
In 2007, the team became a very balanced one with its key players consistently delivering good performances. With players like Boozer, Okur, Deron Williams, Paul Millsap playing good, a deep bench was formed for the team. The Jazz have started of good in the 2007-08 season and are expected to improve over time. To see the much improved Kirilenko and others, get your Jazz tickets from the ticketing websites.
To share scoring duties with Kirilenko, there is Matt Harpring, who stands 6”7’ tall. The two young point guards Carlos Arroya and Raul Lopez have a tough task to fill in the shoes of John Stockton. Derek Fisher has also been added to the mix to match the mental toughness of the players. This team must make it to the play-offs this season, as it has the right mix of players and a strong bench to support them. Ensure you have the Jazz tickets with the best view to enjoy the full impact of the powerful games ahead. For this, book your tickets online.
Fan Code Of Conduct
There are many activities conducted during the games like dance team performances, slogans and waving of flags. The fans and players at the Utah Jazz games are expected to behave in an orderly manner to make the game-time a safe, comfortable and entertaining experience. The players are expected to respect and appreciate their fans. Viewers are expected to avoid foul language, obscene gestures and maintain a healthy competitive atmosphere in the stadium.
The Jazz tickets can be bought from the online ticketing sites. These sites have all tickets available for the Jazz games and all other NBA games. They also have concert tickets and other events tickets on the site. The online ticketing is fast and easy, you get assured tickets. The websites also offer group tickets, seating plans, multi game packages and special suite bookings. They can even accommodate special requests and last minute seats. You can book the tickets with the click of a mouse or over the toll-free phone line. Get your Jazz tickets now to watch all the exciting games lined up for the season.
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What Makes a Classic Car?
The term “classic” is largely subjective. Not only when applied to cars, either. There are wide variations in what people consider classics. For example, the film The Shawshank Redemption was fairly widely ignored when it initially came out, but today it is considered one of the finest pieces of film making to come out of Hollywood. Although the term “classical music” now applies to a certain style of music, along the lines of Tchaikovsky and Beethoven in the past and the likes of Michael Nyman and Philip Glass in this era, there are many who would argue for the albums of the Beatles and some of their contemporaries, and indeed even a band as current as Radiohead, being eligible for the pantheon of “classic albums”.
When it comes to cars, an equal debate exists over what makes a classic. You could ask several different people, even automobile enthusiasts, what they consider to make a classic car, and get wildly varying answers. It may apply to a car which was the pre-eminent example of engineering for its era. It could equally apply to a car that was seen as an important innovation in its time, making it possible for the automotive industry to move forward and create the archetypes of modern automobiles. Still others might say that a classic car was any example of engineering that stood out as being of literary or historical renown – driven by a famous figure in the arts or by a statesman of some repute. And again there may be a case for a car that stood out as something different in an era where the fashion was for conformity.
By those standards, a classic automobile does not need to be one that was created half a century ago or more. All it needs to be is something that has left a mark upon the field of automotive engineering. Some dictionaries describe the term as applying to a car that is distinguished by elegance, engineering brilliance and high class of workmanship, and stipulates the period between 1925 and 1948 as being the era that qualifies for being a classic. However, when it comes to insuring a car under a “classic car” policy, in some cases it need only be 20 years old. As you may be noticing, the definition of a “classic car” is widely variable.
Depending on your definition of “classic” – that is, the definition that you feel most accurately covers the range into which classic cars fall – you might consider the General Lee from popular TV series The Dukes of Hazard which itself was a 1969 Dodge Charger to be a classic car. Certainly, anyone in possession of a VW Beetle as made famous by the Herbie movies would feel pretty confident of the classic status of their car. On balance, there are so many competing definitions for the term that anyone who feels they own a classic automobile could at least attempt to make a case for their defence. It is a title more of consensus than of absolutism.
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Cruisin’ With Dave Koz & Playboy Jazz Festival!
As a travel writer for Dunhill Vacations, I get to write about some real far out places. As exciting as some exotic escape to Asia or a brand new all inclusive resort in the Dominican Republic, my favorite type of travel has always been cruising. I enjoy the thought of being on a small city in the middle of the ocean. I enjoy the sounds of the surf and the smell of the warm salty air.
I was introduced to the wonderful world of jazz a little over 4 years ago on holiday up in St. Augustine, FL I stumbled upon a winery overlooking the oldest city in the US, listening to some Jazz. That moment has never left me and neither has my love of Jazz.
As a huge fan of Dave Koz, you can imagine my excitement when I found out about the 4th annual Dave Koz and Friends At Sea cruise. I completely dropped the ball about reporting this last year, but I’m back on the good foot. Dave Koz has been the first acts that I have ever seen perform live; and it was worth it. The way he manipulates the sax into ’saying’ exactly what he wants it to say is mind blowing! I spoke via the internet with a fellow fan that had gone two years ago on Dave’s cruise and he said that it was fabulous.
Some of Dave’s friends will include Eric Benet, George Duke, Najee (another one of my personal favorites), Brian Simpson and other Grammy Award winning artists. They will be getting the party started while making stops in Grand Turk, St. Thomas, St. Barth’s and Half Moon Cay.
If you can’t make this one, there is also the great Marcus Miller hosting the first ever Playboy Jazz Cruise. From the early days of the groundbreaking “Playboy After Dark” television show to the annual jazz poll in the magazine to the now 30 year old Playboy Jazz Festival, no one has done jazz better than Playboy. Join host Marcus Miller and our very special artists for the inaugural sailing of the Playboy Jazz Cruise filled with some of the best contemporary jazz musicians. The line up for this cruise is every bit a whose who is the world of jazz. Herbie Hancock, Dianne Reeves, Keb’ Mo’ are just a small few of the talent boarding this ship. This Playboy Jazz Cruise will be the first of many festivals at sea. Ports of call for the Playboy Jazz Cruise include San Juan, Nevis, St. Barths and Hal Moon Cay.
Both cruises will be aboard Holland America. Cruise with award winning, record breaking jazz musicians in the world today, and don’t forget to bring you favorite wine glass.
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Hip Hop to Classical
Today the supply is poorer and poorer for those who want more than a chat in a cafe or a dance in a discotheq but do not wish to squirm in tie in concert halls. Moreover, these days the compositions of great classics is harder and harder to take in – no wonder why: as the world changes, so does the taste of people. That is why I „smuggle” the elements of pop music into my compositions as well as the heritage of Chopin or Tchaikovsky” – Levente Egry spoke of his new production, „Sentimental Piano Concert” to the magazine” STOP”.
However, to get this far, the young pianist/composer needed a lot of experience and routine – thus as a musician and producer he tested himself outside the borders of Hungary as well. He even worked in the USA with such an internationally acknowledged artists like Anastacia, Tarkan or Celine Dion. Finally, Levy, who has been playing the piano since the age of 7 and graduated from the conservatoire and High School of Music, summed up the experience of all those years in order to start his new production. „ My goal is to evoke the European heritage of Classical Music as well as the reinterpretation of musical Romanticism” – he says.
„I have a lot to work on the music but soon we can start the recordings” – Levente says who in the last couple of months has been doing nothing but composing. „Generally I wake up around 11 AM and go to bed around 5-6 in the morning. I can gain the most from composing at night – maybe because of the silence. Although if it were conscious that would be a subject of teaching.” He also added that the negotiations concerning the album proceed very well.
„Demos sent to any part of the world receive delighted feedback. Furthermore not only from the nearby German, Southern – European and English territories but from Near East and Asia as well. Some of them wanted to release even the demo recordings! I also realized that the Italians, the Spanish and even the Japans and the Chinese feel like being relatives with Hungarians – they can be so much identified with our music. For instance , In Peking I was over-admired when it turned out that I was Hungarian” – told the musician
More info about the artist: www.leventeegry.com
How To Get That “Gospel Feeling” Using Jazz Chords
Does the cold, cerebral feel of modern jazz leave you cold? Maybe you’d like to have a little bit of “gospel” in your jazz? Maybe you just want to take an old hymn and give it some updating. Then you’ll need to load yourself with an arsenal of gospel jazz chords.
Gospel jazz chords involve extending the dominant seventh chord with additional tones. The ninth, 11th and 13th chords are all used in gospel jazz. These are extensions of the basic dominant seventh chord. If you don’t know how to form a dominant seventh, here’s the rundown.
The dominant seventh is formed by taking a basic triad, which is 1-3-5, and adding a b7. In the key of C, you would play the notes C, E, G and Bb. The C chord is formed by the C, E and G. The major seventh is B, so you would lower it a half-step to get Bb. Play this chord and notice how it brings to mind some great blues and jazz. The C dominant seventh chord is written as C7.
Now you’re going to learn a bit more theory to understand gospel jazz chords. Since the notes of a major scale are numbered 1-7, where does the ninth tone come from? It comes from extending the scale beyond one octave. After the seventh tone of the scale comes the root, which is considered the eighth tone of the scale. So the ninth tone is the second, only an octave higher. To form a ninth chord, take a dominant seventh and add the ninth.
The 11th and 13th chords are formed in a similar fashion. The 11th tone of the scale is just an octave above the fourth, while the 13th is an octave above the sixth. The 13th is one of the most used gospel jazz chords. By extending chords to these extremes, you’ll hear some interesting tonalities and overtones develop in a well-tuned instrument.
Since every note of these chords is easily played on a piano, the resulting sound may get a little muddy. Some of the tones create a clash with other tones. A clash is when two notes that are a half step apart are played together. Sometimes a clash is useful, while at other times it isn’t. For these reasons, less important tones are often left out of extended gospel jazz chords. Take the ninth chord, for example. The fifth is often dropped from the chord to create a cleaner emphasis on the third, seventh and ninth tones of the chord. Try it and hear the difference.
Though it all seems a bit complex at first, the simple theory of gospel jazz chords comes naturally with a little practice. Try these chords in different keys, leave out different chord tones, and find out what gospel jazz chords sound best to you. These chords are useful in other jazz styles, as well. Even popular music today makes slick use of extended gospel jazz chords. Tasteful use of these chords can spice up even the most ordinary of hymns and gospel songs.
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